Wednesday, November 8, 2006

As of 10:00 p.m EST November 8, 2006, the Democratic Party is projected to have gained control of both the United States House of Representatives and the United States Senate in the 2006 United States general elections. MSNBC projects that the Democrats now control 234 seats in the House of Representatives, 16 more seats than the 218 needed to control the House of Representatives as all 435 seats were up for election. In the Senate, where the balance of power is closer, one-third of all seats were up for grab. As of 10:00 p.m. EST, AP and Reuters were projecting that the Democrats had picked up all six seats they needed to retake the Senate, including the seats of incumbents Rick Santorum (Penn.), Lincoln Chafee (R.I.), Jim Talent (Missouri), Mike DeWine (Ohio), John Tester (Montana), and Jim Webb (VA). The Tester victory by less than 3,000 votes was projected at approximately 2 p.m. EST after the State of Montana announced the results of overnight recounts. Democrat Jim Webb has prevailed in that race by slightly more than 7,000 votes, though his opponent has not conceded and a recount may still occur.

Wednesday, September 26, 2007

Suzanne Fortin is running for the Family Coalition Party in the Ontario provincial election, in the Nepean-Carleton riding. Wikinews’ Nick Moreau interviewed her regarding her values, her experience, and her campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Thursday, March 13, 2008

Members of Australia’s Health Services Union (HSU) will go on strike in Victoria next week in a dispute over stalled wage and career structure negotiations. Over 5000 physiotherapists, speech pathologists and radiation therapists will walk off the job next week, effectively closing the state’s 68 largest health services.

The strike will force the closure of intensive care units and emergency departments across the state.

It is feared the strike could continue into Easter.

National secretary of the HSU, Kathy Jackson said admissions would be crippled, while intensive care patients would have to be evacuated to New South Wales, Tasmania and South Australia as hospitals will not be able to perform tests or administer treatment.

“When an ambulance shows up you can’t admit a patient without an X-ray being available, you can’t intubate them and you can’t operate on them,” she said.

“If something goes wrong in an ICU you need to be able to X-ray, use nuclear medicine or any diagnostic procedure,” said Ms Jackson.

Ms Jackson said the HSU offered arbitration last year, but the state government refused. “They’re not interested in settling disputes, they hope that we are just going to go away.”

“We’re not going away, we’ve gone back and balloted the whole public health workforce in Victoria, those ballots were successful, 97 percent approval rating,” she said.

The HSU is urging the government to commence serious negotiations to resolve the dispute before industrial action commenced.

The government has offered the union a 3.25 per cent pay increase, in line with other public sector workers but the union has demanded more, but stopped short of specifying a figure.

Victorian Premier John Brumby said the claim would be settled according to the government’s wages policy. “The Government is always willing and wanting to sit down and negotiate with the relevant organisations . . . we have a wages policy based around an increase of 3.25 per cent and, above that, productivity offset,” he told parliament.

The union claims it is also arguing against a lack of career structure, which has caused many professionals to leave the health service. Ms Jackson said wages and career structures in Victoria were behind other states.

Victorian Opposition Leader Ted Baillieu said he was not in support of the proposed strike and called on the government to meet with unions. “There could not be a more serious threat to our health system than has been announced today.”

“We now have to do whatever is possible to stop this strike from proceeding,” he said.

The opposition leader will meet with the union at 11:30 AM today.

Victorian Hospitals Industry Association industrial relations services manager Simon Chant said hospitals were looking at the possible impact and warned that patients may have to be evacuated interstate if the strike goes ahead.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

[edit]

Sunday, November 8, 2009

China has offered Africa concessional loans worth US$10 (€6.5) billion as part of a host of new measures aimed at improving the economy of African nations. The announcement was made at the opening of the Forum on China-Africa Cooperation (FOCAC) in Sharm el-Sheikh, Egypt. Leaders of nearly 50 African countries are attending the two-day conference.

China had already stated today at the 3rd Conference of Chinese and African Entrepreneurs, held immediately before the FOCAC, that Chinese firms would be encouraged to invest in Africa, while both sides would work together to improve the tourism, telecommunications and finance industries. China also said that governments should work with businesses to ensure co-operation between China and Africa.

As well as the loans, made over three years, China will write off the debt of Africa’s poorest countries, build 100 African green energy facilities and systematically lower import duties on 95% of all African products exported to China. Another promise is a loan of one billion dollars aimed at small and medium sized businesses in Africa. There will also be efforts to promote each other’s culture and increased medical assistance to Africa. Medical assistance comes in the form of 500 million yuan (US$73.2 million) of goods for the 60 hospitals and malaria centers China has already built, as well as 3,000 doctors and nurses. Roads will also be improved.

China also plans to assist with satellite weather monitoring, to help combat desertification and work within the urban environment, all aimed at reducing global warming. The new energy facilities will focus on solar, biogas and small-scale hydroelectrical installations. Another new measure is a promise to aid African farmers to ensure the continent is fed, increasing the number of demonstrations of agricultural technology in Africa to 20 and sending 50 teams of agricultural technology experts to the continent. Training in agricultural technology will be provided to 2,000 people.

“The Chinese people cherish sincere friendship toward the African people, and China’s support to Africa’s development is concrete and real,” said co-chair Chinese Premier Wen Jiabao as the FOCAC opened up, adding “Whatever change that may take place in the world, our friendship with African people will not change.” He described this friendship as ‘unbreakable’. Two years ago China pledged US$5 (€3.37) billion at the last FOCAC in Beijing and now, according to Jiabao, “China is ready to deepen practical cooperation in Africa.”

China has fulfilled its 2006 pledge, investing a total of US$7.8 (€5.26) billion in Africa last year alone. 49 African countries are represented at the FOCAC, which was created in 2000, although Jiabao noted that relations between China and Africa go back fifty years. China had already forgiven or reduced the debt for thirty nations at that FOCAC summit.

According to Chinese state-owned paper China Daily, trade between China and Africa increased by 45% last year, to give a total value of US$107 (€72.1) billion, a tenfold increase since 2001 and up from US$491 (€331) million in 2003. The Chinese have a 9.8% market share, the largest of any nation, according to the U.S. Commerce Department. China has paid for schools, hospitals, malaria clinics and Chinese scholarships for African students. 50 more schools are to be built and 1,500 people trained to staff them.

Since 2006 Chinese energy firms have committed to spend at least US$16 (€10.8) billion securing African oil and gas. China’s Sinopec Group, an oil giant, bought up Addax Petroleum Corporation from its Swiss owners that year, gaining control of oilfields in Nigeria, Cameroon and Gabon. China promised earlier this year to spend US$9 (€6) billion on infrastructure in the Congo in exchange for mineral deposits for mining operations.

Jean Ping, leader of the African Union, said the told those at the conference that the money is coming at an opportune time, because African growth was “totally compromised” by the global financial crisis. Ping said one of the lessons learned is that the world is paying for “the irresponsible and lax behavior” of large financial companies whose philosophy was to make short-term profits.

Not all Africans are happy with China’s increasing involvement in their continent. Trade practices are a concern for some, with a view that China exploits Africa for raw materials before selling back finished goods. Among these are Egyptian Trade and Industry Minister Rachid Mohamed Rachid. Egypt is the richest nation in the Middle East and is discussing this perceived issue with China. Rachid told Bloomberg “What is a worry for me is if competition is unfair. That is where we are unhappy.” Jiabao described the trade as being based on “win-win programmes… and transparency.”

Others in Africa are delighted with the situation. “We want more investment from China,” Tanzanian President Jakaya Mrisho Kikwete told the forum. Egypt’s own President Hosni Mubarak talked of “peace, security and growth,” and of “boosting cooperation between China and Africa.”

Jiabao also used his speech to respond to criticisms that China worked with nations regardless of their human rights record, such as Sudan, whose President Omar al-Beahir is wanted on a warrant issued by the International Criminal Court for war crimes. “Africa is fully capable of solving its own problems, in an African way,” he said, adding that “China has never attached any political strings […] to assistance to Africa.”

Beshir thanked China in a speech for diplomatic work in Sudan, including working to defuse the Darfur conflict, which the United Nations says has left 300,000 dead. “We express our deep appreciation for China’s efforts in backing the comprehensive peace agreement in Sudan and its peace efforts in Darfur,” he said, referring to a peace deal between the northern and southern parts of his country. “We thank China particularly for backing efforts by our countries to achieve peace and stability in Africa’s zones of conflict.” Jiabao said China was willing to work towards “the settlement of issues of peace and security,” in Africa.

A further criticism has been that China has brought in Chinese workers and used their own knowledge, instead of training locals. Jiabao’s speech indicated an intention to co-operate better in the fields of science and technology, as well as improve training for African students on technical courses.

“Why do some only criticise China?” asked Jiabao. “Is this a view representing African countries, or rather the view of Western countries?”

Monday, August 17, 2009

The Sayano–Shushenskaya hydroelectric power station, located on the Yenisei River in Russia, experienced a problem after a pressure surge caused water pipes to burst, flooding the engine room. The water triggered an explosion in a transformer.

Ten workers were confirmed dead and as many as 68 more injured. Some are still missing.

The power station was shut down, and backup sources were enabled. The dam across the Yenisei was not damaged and there is reportedly no possibility of territory flooding. Two of ten turbines were destroyed, with a third seriously damaged.

The hydroelectric plant is the most powerful in Russia, supplying several major aluminum plants, including Rusal. It was opened in 1978 and generates more than 23.5 terawatt hours annually.

[edit]

Saturday, February 25, 2012

Syrian forces have been shelling the Baba Amr district of Homs, Syria for almost a month. Civilians and journalists are amongst the dead, and Wikinews spoke to a local citizen journalist, attracting attention both from the world’s media and from the Syrian Armed Forces. According to Wikinews’ source, much of Homs is without water, and a city facing starvation.

Syrian forces began a ground assault on Homs February 4, using troops, and bombarding the city with tanks and artillery. To this day, the bombardment continues. Soldiers frequently clash with anti-government protesters, and ‘freedom fighters’ of the Free Syrian Army in violent, often deadly encounters. In the Baba Amr district of the city, “Omar” [for his safety, we only use his first name, Ed.], a citizen journalist with the Homs Media Center, created an account on the Bambuser website where users can stream live footage from PCs or mobile phones. He then pointed a camera out of his home, overlooking the city, and began broadcasting footage live on the Internet.

The violent, often deadly, events following may have, indirectly, resulted from this action. Journalists discussed in this article put their lives in jeopardy to give the world a record of events; in some cases, dying doing so. But, their deaths may not have been accidental; evidence suggests possible intentional targeting by Syrian government forces.

Omar usually began broadcasting just before sunrise. At 5:18 a.m. (EET) in Homs on February 9, Omar started his live broadcast; the sky still dark, with only a few lights flickering around the area. Sporadic gun and rocket fire between Syrian forces and the Free Syrian Army audible on the live feed. By sunrise, gun battles had ceased, the city silent except for the occasional rooster welcoming the morning sun. As daylight broke tanks inside the city, and artillery on its outskirts, began shelling buildings and other targets. Throughout the morning, rocket fire and tank shelling could be heard getting closer and closer to Omar’s position.

At approximately 07:40 EET, nearly two-and-a-half hours into the broadcast, the camera’s microphone records the audio of the brief, but distinct, ‘whistle’ of a rocket or shell as it sails through the air. It strikes close to the camera’s position, causing it to wobble an shake, nearly tipping over; smoke obscures the camera’s view, debris falling onto it whilst sounds of parts of nearby buildings collapsing are heard.

The camera continues to film, apparently undamaged. Omar’s house isn’t so lucky, suffering a direct hit from a rocket. Out of the camera’s view, people inside the house begin to scream. Less than two minutes later, a second rocket strikes the house just above and behind the camera’s position; again, causing it to shake. The sun casts the rising smoke’s shadow on the house next door as more debris hits the camera. Further screams are heard as rubble collapses around people inside. Those inside, running and shouting, now make up most of the broadcast audio; some begin to pray, whilst others bring round a car to carry out the injured or dead. Moments later another rocket is fired, residents screaming warnings to each other of another possible incoming strike. An explosion is heard, and smoke can be seen rising, center-right of the camera shot, from the rocket striking nearby.

A few minutes later, two men are seen coming out onto their balcony and looking in the direction of the house that was just hit. They talk, looking and pointing in the direction of Omar’s house, with the sound of gunfire in the area. At 07:50, they go back inside and out of sight.

Three minutes later a rocket is fired, striking that house, exactly where the two men were standing. It is unknown if they were killed or injured in the attack, but according to Omar the attacks around his home left five dead, three women and two men; Omar himself survives unscathed.

Despite the deaths in the February 9 attack, Omar kept his camera rolling whenever awake; but, that was about to change.

February 15 was a relatively quiet morning but, as sunrise gave way to the daylight, rockets began hitting targets in the city for the eleventh consecutive day. Shortly before 08:00 EET, a small plume of black smoke appears, left side of the live broadcast, an oil pipeline having sustained its first direct hit. Moments later, a second strike on the pipeline is in-shot, also to the left of the camera’s view. The acrid smoke from this strike quickly begins to grow.

Shortly after the second hit on the pipeline Omar enters the room, moving the camera to show both strikes. Twin plumes of thick black smoke are now visible rising in the distance. Omar states the oil pipeline sustained damage from an attack by Syrian military aircraft. From a United States Department of State satellite photo taken after the bombing, the pipeline is seen near a densely populated area of the city, with farmland lying to the west. The smoke from the pipeline fire blankets nearly all of the populated area, to the east, in range of the photo.

After repositioning the camera, Omar decided to leave his house to undertake some field work; a fortuitous move as Omar stated on his Twitter stream, “after we left the house” a rocket made a direct hit on it, leaving a hole in one of the sides. There were no injuries in the attack, the building being unoccupied at the time.

With sunset closing in and the pipeline still ablaze, Omar turned off his camera, not just for the night — indefinitely. Omar now believes he is in too much danger to broadcast further, tweeting: “[I] really am confused […] am worried to turn the live camera on. It’s become very dangerous.” Omar has since left his home.

Crucial as some of the live footage may be at getting pictures of bloodshed inside Syria out; for now, much of the output which ended up hosted on Bambuser has dried up. On February 17, the Syrian government blocked access to the website and its mobile phone application. Despite government action, some isolated examples of live footage continue making their way out of Syria, mainly from mobile phones.

Bambuser speculate that Syrian authorities’ move to block access may be a result of Omar’s live footage showing the oil pipeline fire on Feburary 15. That footage was rebroadcast on several major news networks, including CNN, BBC News, Al Jazeera and Sky News.

“We believe this footage was the trigger for the Syrian government to block access to bambuser.com and disable the possibility to broadcast live video with mobile phones on Syrian 3G,” said a Bambuser statement on their website. Bambuser has been blocked previously in other countries. Access to the site was blocked by Egypt in January 2011, during their revolution. Bahrain blocked the site six months ago, and it remains blocked to this day.

Bambuser’s statement continues: “Not only have we helped them get their message out, but they also say it means much in terms of morale for everyone in this situation. They [The Syrian people] know the world is watching, sharing and it gives them hope. No matter where in the world there is unrest, we at Bambuser always do our best to support and help observers”.

Omar is not alone in being at-risk; on February 18 a funeral for three men, shot and killed by Syrian forces during an anti-government protest the prior day, was being held in the central Mezzeh district of Damascus.

Over fifteen thousand people, including women and children, filled the streets paying their respects. After a prayer, during which mourners remained completely silent, the procession turned into a mass-protest. With mourners-turned-protesters marching down the streets, the sky over Damascus darkened and snow began falling. With the change of weather appearing to embolden the protesters, their chants grew louder.

Shortly thereafter, Syrian forces surrounded the front of the march, and opening fire with live rounds and tear gas. Panicked people quickly scattered, turning the once-peaceful march into a stampede. At least one was shot and killed. Dozens of others sustained injuries. This was the first time Syrian forces opened fire on protesters in central Mezzeh.Those people are just a small fraction of those who have been killed or injured since the uprisings began. It is estimated that from five thousand to upwards of seven thousand people have been killed since January of last year. As a result, on February 20, the International Committee of the Red Cross (ICRC) announced it was attempting to negotiate a cease fire by all parties “to facilitate swift Syrian Arab Red Crescent and ICRC access to the people in need.”

The ICRC wants troops to halt their attacks in cities that have seen the most fighting in order to deliver care packages. Bijan Farnoudi, a spokesman for the Red Cross, said discussions include “several possibilities” in which the packages can be delivered. Though the organization has been delivering food and supplies to as many cities and citizens as possible, heavy fighting in areas such as the Baba Amr district of Homs has made it increasingly difficult for aid to be delivered. Even while the Red Cross worked to negotiate a cease fire, reports out of Homs on February 20 said Syrian forces were amassing troops and tanks outside the city in preparation for an all-out ground invasion. According to Omar, the shellings continued, but on February 24, the Red Cross announced it was allowed to begin evacuating injured women and children from the city.

On February 21, a member of the Homs Media Center was killed by a rocket as Syrian forces continued their bombardment of the city for an eighteenth straight day. Rami al-Sayed was reported to have been severely injured by a rocket while attempting to evacuate individuals to a makeshift hospital, during what activists call the worst day of bombardment since Syrian forces began their attack on the city on February 4. According to Bambuser, he and three others were inside a car when it was hit by a mortar, immediately killing the others. Sayed bled to death at the hospital.

Sayed was a videographer “crucial in getting the truth out through his videos posted on the Internet. We will really miss him, especially the medical team who relied on him to document all the civilian injuries and deaths on video,” said Omar in an interview with CNN. Sayed also was one of the men affiliated with the account ‘syriapioneer’ on Bambuser. Like Omar, he would broadcast live footage of the events on the ground in Homs. Bambuser published the last known message sent out to friends and family: “Babaamr is facing a genocide right now. I will never forgive you for your silence. You all have just give us your words but we need actions. However our hearts will always be with those who risk their life for our freedom. … In a few hours there will be NO place called BabaAmr and I expect this will be my last message and no one will forgive you who talked but didn’t act.” Sayed, 26, had a daughter of 18 months. In December, a citizen-journalist cousin of Sayed’s, Basil al-Sayed, was also killed. In a statement to Wikinews Omar described Sayed as “my best friend” and they both have worked as citizen journalists for about “10 months”, around the beginning of the uprisings.

The killings didn’t end there. Another two journalists were killed February 22, whilst at the Homs Media Center. Marie Colvin, a Sunday Times journalist, and award winning French photographer Rémi Ochlik, were killed when rockets hit the center. At least two others were injured in the attack, French journalist Edith Bouvier and British photographer Paul Conroy.

The Syrian government denies involvement, saying their deaths were “absolutely not” caused “by Syrian armies.” The following day Bouvier made a video plea to Syrian forces that she be allowed to leave Homs to seek medical attention. Conroy stated, despite leg wounds, he was “OK.”

Omar was in a Skype conversation with a friend at the media center when the attack took place. He recorded the call’s audio using a web camera and posted the video on YouTube; sounds of explosions and possible gunfire can be heard throughout. Reports strongly suggest the media center attack was deliberate; radio communications between Syrian government forces indicate orders to attack the building — whilst making it appear individuals died caught in a gun battle with terrorists.

It is because of situations such as that on February 16, the United Nations General Assembly (UN GA) voted, “[…] overwhelmingly to call on both the government and allied forces and armed groups to stop all violence or reprisals immediately.” The UN GA press release expressed grave concern at the Syria’s deteriorating situation and, “[…] condemned a raft of violations carried out by the authorities, such as the use of force against civilians, the killing and persecution of protesters and journalists, and sexual violence and ill-treatment, including against children.”

Calling on Syria to abide obligations under international law, the UN GA “[…] demanded that the Government, in line with the 2 November 2011 Action Plan of the League of Arab States, and its decisions of 22 January and 12 February 2012, without delay, stop all violence and protect its people, release all those detained during the unrest, withdraw all armed forces from cities and towns, guarantee peaceful demonstrations and allow unhindered access for Arab League monitors and international media.”

137 nations voted for the General Assembly’s resolution, twelve opposed and 17 abstained. As with many UN GA resolutions, the findings and conclusions are non-binding.

Earlier, on February 4, the United Nations Security Council failed to pass resolution S/2012/77, supporting Arab League actions pursuing peace in Syria. This resolution was vetoed by Security Council members China and Russia.

The Arab League’s goal, according to their report on Syria, “is to protect Syrian citizens through the commitment of the Syrian government to stop acts of violence, release detainees and withdraw all military presence from cities like Homs, and an end to violence in Syria.” The League noted Homs, Dera‘a, Idlib, and Hama as the cities primarily affected by such incidents. The report claims all such incidents were caused by “armed groups” or “entities not mentioned in the protocol [report].”

Despite the League’s claim, live footage broadcast more than a month after the report was filed suggests the opposite as tanks continued to bombard cities like Homs. The League, in their report, go on to say Syrians “believe the crisis should be resolved peacefully through Arab mediation alone, without international intervention. Doing so would allow them to live in peace and complete the reform process and bring about the change they desire.”

Omar disagrees with the League’s conclusion that Syrians do not want international intervention. He believes if “the world” doesn’t act soon, many more will die from starvation. Medical supplies have not been making their way to makeshift hospitals and food is scarce. Much of the city is without water and Syrian forces continue their assault on the city. In a statement to Wikinews on Wednesday, Omar said “if they stay like this [the world] just watching us, people will die not because of the shelling, they will die because of starvation. We are surrounded. There is no food, no water and no medical supplies. If the world doesn’t do anything we will die from starvation. In the coming days I can see a massacre from starving.”

Sunday, February 22, 2009

NASA announced during a press conference on Friday night that the agency has decided to delay the launch of Space Shuttle Discovery, which was scheduled for takeoff on February 27. NASA cited the need for additional time to evaluate the shuttle’s hydrogen fuel flow control valves. A new launch date has yet to be scheduled, though NASA is considering mid-March as an option. Another review of Discovery’s flight readiness is scheduled for February 25.

Discovery had originally been scheduled for liftoff on February 12, but NASA wanted to perform additional tests on the valves which control the amount of hydrogen fuel pumped into the external tank when the shuttle is taking off. When Space Shuttle Endeavour went into space in November 2008, one of the valves broke. NASA fears that if one breaks off on this mission, then it could damage the outside of the shuttle.

“We need to complete more work to have a better understanding before flying,” said Bill Gerstenmaier, associate administrator for Space Operations at NASA Headquarters in Washington, D.C. who chaired Friday’s Flight Readiness Review. “We were not driven by schedule pressure and did the right thing. When we fly, we want to do so with full confidence.”

The current scheduled mission, STS-119, is set to fly the Integrated Truss Structure segment (“S” for starboard, the right side of the station, and “6” for its place at the very end of the starboard truss) and install the final set of power-generating solar arrays to the International Space Station. The arrays consist of two 115-foot-long arrays, for a total wing span of 240 feet, including the equipment that connects the two halves and allows them to twist as they track the sun. Altogether, the four sets of arrays can generate 84 to 120 kilowatts of electricity – enough to provide power for more than 40 average homes.

Commander Lee Archambault will lead Discovery’s crew of seven, along with Pilot Tony Antonelli, and Mission Specialists Joseph Acaba, John Phillips, Steve Swanson, Richard Arnold, and Japan Aerospace Exploration Agency astronaut Koichi Wakata.